dedicated input stage featuring crunchy pre-amp saturation
brickwall safety limiter in the output stage.
Everything is set up to work in zero latency and so be available for hassle free tracking and mixing.
Two dedicated filters can be used in either the audio path or in the compressor's sidechain which can be external as well. Whether pre or post compression, the equalizer section offers four interacting coloring tools with well-selected musical sounding curves. The concept gets rounded off by a phase alignment tool which can be used for coloring purposes as well.